Fringe Arts
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Fringe ArtsFrame to Frame
The prestigious Cannes Film Festival is nearing its end and the film industry is abuzz with stories, reviews, pictures, rumors and Lars von Trier’s latest quotes.
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Fringe ArtsHomegrown Royalty
It’s hard to walk into a club and not hear at least one A-Trak song these days.
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Fringe ArtsOn the Road
It’s been a long ride for Scott Dunbar. After a few years in a band with high-school friends, the BC native hit the road on his own, hitchhiking across Canada and singing folk songs at local gigs. His journey led him all the way to Yukon, where he played at the Dawson City Music Festival and fell in love with performing.
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Fringe ArtsTheatre a la Sauvage
91 year old Constance McMullen is forced to leave her home after more than 70 years to make way for new Concordia University student residences. Not going down without a fight, this spunky nonagenarian struggles to find her strength and faith in God to stand her ground.
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Fringe ArtsPrecious Life
The screening of Precious Life, latest documentary of acclaimed journalist and director Shlomi Eldar, submerges viewers in a different version of the Israel-Palestine reality, one more microcosmic and human.
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Fringe ArtsI’ll Talk, You’ll Fill that Notebook
“At a certain point, it becomes difficult to discuss literature. To discuss it is like discussing a garden, in that the comments probably reflect more the taste and preferences of the person looking at the garden than flaws in the garden itself.”
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Fringe ArtsPhotos: Young Widows at Casa del Popolo
Young Widows played in Montreal on May 10th at Casa Del Popolo (4873 St. Laurent Boulevard) with My Disco and Esses.
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Fringe ArtsResurrection of Youth and Lightness
The Funeral Home was an almost natural decision when choosing a studio location to record In and Out of Youth and Lightness, the third full-length release from Louisville, KY noisemakers Young Widows.
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Fringe ArtsI’ll Talk, You’ll Fill that Notebook
Whatever your authorial creed, writing can be a painful experience. But it doesn’t stop there: the reception of one’s work can be just as—if not more—unpleasant.
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