Fringe Arts
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Fringe ArtsFilm Review: ‘White Right: Meeting the Enemy’ Investigates What Leads Many to Extremism
White Right: Meeting the Enemy is built around interviews director Deeyah Khan, a muslim woman, conducted with white nationalists, neo-nazis, and other American hate groups. She aimed to better understand the resurgence of white extremism in the United States throughout this film.
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Fringe ArtsSmitten With Kittens: Appreciating Cats and Art in Montreal
Learn about spaces in Montreal that are devoted to appreciating the feline form: Café Chato and NDG’s Alley Cat Gallery.
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Fringe ArtsPutting Queer and Trans Narratives at the Forefront at Metonymy Press
Learn about Metonymy Press, a small independent publisher located in Montreal devoted to shining a spotlight on the writing of gender and sexual minorities.
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Fringe ArtsPeep the Programming for the 2019 Edition of Art Matters
Learn about the 2019 edition of Concordia’s Art Matters festival.
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Fringe ArtsShow Review: ‘Afro-Drag’
Afro-Drag Montreal offered a safe place for Black artists to celebrate and perform the glamours of drag.
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Fringe ArtsKapara Vintage Thrifting For The Environment
The thrift boutique Kapara Vintage is in Montreal this weekend as a pop-up shop against fast fashion.
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Fringe ArtsThe VAV to Host Performance Art Evening
The Visual Arts Visuels has been exhibiting a lot of pieces living on a wall or mounted on a base—on Monday, Feb. 18, they will host Unwind, a free show that will be a unique night of performance art.
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Fringe ArtsFestival Review : ‘We are the Light,’ by Women of Colour
As the Lux Magna Festival came to an end, Shades Lawrence, Montreal-based DJ, rapper, poet, and curator, successfully created a space where the musical talents and artistic performances by women of colour could shine bright and centred.
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Fringe ArtsPlay Review: Imago Theatre Presents ‘Elsewhere’
Elsewhere is a haunting play about how the political climate of Venezuela effects it’s citizens.
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Fringe ArtsBlackout Sets the Record Straight On Concordia’s Computer Riot
Behind a backdrop of 1960s-style compact cubes, Blackout retold the history of Concordia’s infamous “Sir George Williams Affair” with unequivocal faith that students were not the ones who set the fire.
