Special Issue

  • Imagining the Veil

    Muslim Women in Global Contemporary Art

    “The veil is on the wrong side in the ideology of modernity. It stands for backward tradition as opposed to progress, misogyny as opposed to female emancipation, totalitarianism as opposed to democracy, superstition as opposed to science, and so on.”

  • Printed Minority

    When it comes to media and pop culture, girls are experts. As the target of most media messages, young women are uniquely positioned to understand and criticize the popular culture they are so much a part of.

  • Taking Up Space

    Why International Women’s Day Should Be 365 Days a Year

    Every year, March 8 is supposed to break open a day for women. For 24 hours, the word “women” carries more weight, women’s voices sound a little louder and their presence isn’t only felt—it’s demanded.

  • Women’s Pages,Women’s Places

    The Link ’s Annual Women’s Issue

    What comes to mind when you think about “women,” “women’s issues” and feminine space?

  • The Women’s Issue

    What images come to mind when one thinks of “women?” How does one create a visual theme for a decidedly feminist issue that is both graphically pleasing while expressing the essence of women?

  • Nikolai Lanine’s Interview In Full

    War Veteran Draws Comparisons Between The Soviet Union and Canada

    Nikolai Lanine’s interview in full.

  • No End in Sight

    Canada’s Longest War

    This special issue of The Link was meant to take a look at the war in Afghanistan as it drew to a close in June 2011. Things didn’t work out as we planned.

  • A Fiery Inferno

    What is the cost of our “just” war?

    We can’t possibly leave, we’re told.

    In 2008, a government report said that leaving Afghanistan would cause “more harm than good,” a claim recently backed-up by Liberal MP Bob Rae. We put up with it because it is the more honorable war in the Middle East, and we were justified in joining this war just as we were justified in staying out of Iraq.

  • Almost Like Home

    The Afghani Women’s Centre of Montreal Helps New Canadians Settle In

    When the invasion of Afghanistan began in late 2001, there were two images repeatedly shown to the public to explain why war was necessary—planes crashing into the World Trade Centre and women forced to wear burqas, an oppressive black mark on the progress of feminism worldwide. It was taken as a given that all Afghani women were subjugated to men, lost in a culture that made them victims.

  • ‘This is What War Looks Like’

    Photojournalist Examines the Real Costs of Afghanistan and Iraq

    For most of the families that lose a loved one to war, one of the only physical memories that remains is an empty bedroom. In that space, these people were not just soldiers; they were brothers, sisters, sons and daughters. Thousands of miles from where they died, the fallen left behind a monument to the lives they lived and the people they were.