Fringe Arts
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Fringe Arts
The Art Souterrain Organization is Decorating Montreal for its Eleventh Springtime Festival
*Art Souterrain is a cultural organization that has tried to make art more accessible for the last 11 springs, by transforming the underground city into a series of free galleries, complete with activities that change from year to year.
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Fringe Arts
Students Combating Stress Through Music
Concordia University’s Multi Faith & Spirituality Center hosts drumming sessions every Monday from 5 p.m. to 6 p.m. to combat stress in a friendly environment.
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Fringe Arts
Concert Review: Amanda Palmer Is the Goddess We Need
If you’ve never heard of Amanda Palmer, look her up. Right. Fucking. Now.
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Fringe Arts
Festival Review: Program One of Revolution They Wrote Explores Diverse Intersectionality Through Art
The vibrant Revolution They Wrote Festival featured a slew of plays painted with the theme of intersectional feminism.
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Fringe Arts
‘Vulnerability Lingers’ at Art Matters
The exhibit Vulnerability Lingers as part of the Art Matters festival was embodied and exuded sensuality.
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Fringe Arts
Festival Review: A Glance at the Opening Vernissage for Revolution They Wrote
Revolution They Wrote, an intersectional feminist festival, started off their series of events with a captivating vernissage.
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Fringe Arts
EP Preview: Hanorah’s ‘For the Good Guys and the Bad Guys’
A sneak-peek into Hanorah’s newest EP For the Good Guys and the Bad Guys.
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Fringe Arts
Le Frigo Vert Workshops: Kombucha Edition
Learn how to make kombucha with help from the Link‘s sports online editor Ireland Compton in a couple of easy steps.
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Fringe Arts
Book Review: ‘Why I’m No Longer Talking to White People About Race’
“Why I’m No Longer Talking to White People About Race” is a ground-breaking novel which explores institutionalized racism, tracks it’s history, and highlights it’s impact on modern society.
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Fringe Arts
Film Review: ‘White Right: Meeting the Enemy’ Investigates What Leads Many to Extremism
White Right: Meeting the Enemy is built around interviews director Deeyah Khan, a muslim woman, conducted with white nationalists, neo-nazis, and other American hate groups. She aimed to better understand the resurgence of white extremism in the United States throughout this film.